28,821 Free Images of Printing Plate

etching print national gallery of art yale center for british art metropolitan museum of art paper prints in the metropolitan museum of art realism etchings in the yale center for british art etchings in the national gallery of art (washington, d.c.)etching

Charity, Andrea del Sarto, 1863

department of image collections, national gallery of art library, washington, dc high renaissance

The Meeting under the Arch (third plate), Jean-Louis Forain, 1910

etchings in the national gallery of art (washington, d.c.)prints by jean-louis forain

The Crucifixion: Small Plate, Rembrandt, circa 1635

prints by rembrandt in the national gallery of art (washington, d.c.)dutch golden age painting

The Lawyer Talking to the Prisoner (second plate), Jean-Louis Forain, 1909

etchings in the national gallery of art (washington, d.c.)prints by jean-louis forain

Hélène of Septeuil., Mary Cassatt, 1891

nypl the miriam and ira d. wallach division of art, prints and photographs: print collection impressionism

Plate 3: Captain of Army of Chalchis - *Magnificent Pageant on Arno*, Remigio Cantagallina, 1664

prints in the metropolitan museum of art works after remigio cantagallina

Ambush (L'Embuscade), Jean-Baptiste Camille Corot, 1858

cliché-verre by jean-baptiste-camille corot in the national gallery of art realism,barbizon school

Reflection., Mary Cassatt, 1890

nypl the miriam and ira d. wallach division of art, prints and photographs: print collection impressionism

Plate 24: Mercury and Aglauros, from Ovid s Metamorphoses, Johann Wilhelm Baur, 1641

prints in the metropolitan museum of art renaissance

Plate 100: The death of Orpheus, from Ovid s Metamorphoses, Johann Wilhelm Baur, 1641

prints in the metropolitan museum of art renaissance

Coming Out of the Hearing (first plate), Jean-Louis Forain, 1909

etchings in the national gallery of art (washington, d.c.)prints by jean-louis forain

Coming Out of the Hearing (first plate), Jean-Louis Forain, 1909

etchings in the national gallery of art (washington, d.c.)prints by jean-louis forain

Before the Supper at Emmaus (first plate), Jean-Louis Forain, 1910

etchings in the national gallery of art (washington, d.c.)prints by jean-louis forain

The Presentation in the Temple with the Angel: Small Plate, Rembrandt, 1630

prints by rembrandt in the national gallery of art (washington, d.c.)dutch golden age painting

Chagford (The Small Plate), Walter Sickert, circa 1916

post-impressionism walter sickert

Scotia Depicta - Glencoe [Plate], John Claude Nattes, 1804

glencoe, highland scotia depicta

Lithographic plate with engravings to the publication "Clothing in Poland 1200–1795. Published by Jan Matejko. Printed in Lithogr. by M. Salba / Second edition 1875." Title page, Jan Matejko, 1875

prints in the national museum in kraków 1875 prints

Rajah Lal Singh, Auguste-François Laby, 1847

recollections of india. part 1. british india and the punjab (1847)auguste françois laby

Whiting fishing at Margate (The Small Plate), Thomas Goff Lupton, between 1829 and 1834

mezzotint prints in the yale center for british art thomas goff lupton

Plate 96: Venus and Adonis Embracing (Perditè a Venere adamatur Adonis), from Ovid's 'Metamorphoses', Antonio Tempesta, 1606

antonio tempesta - metamorphoses of ovid renaissance

Plate 16: Apollo Killing Coronis (Appolinis sagitta Coronis transfigitur), from Ovid's 'Metamorphoses', Antonio Tempesta, 1606

antonio tempesta - metamorphoses of ovid renaissance

Egg-sellers, 1st plate, Alphonse Legros

prints in the national gallery of art (washington, d.c.)realism

Egg-sellers, 2nd plate, Alphonse Legros

prints in the national gallery of art (washington, d.c.)realism

Zelfportret met pijp, RP-P-1953-490, Marcellin Desboutin, 1898

portraits of marcellin desboutin prints by marcellin desboutin

Plate 5: Psyche carried on a litter to a mountain, from 'The Fable of Psyche', Master of the Die, 1530–60

story of cupid and psyche designed by michiel coxie prints by master of the die

Plate 95: The Death of Hyacinthus (Hyacinthi cruor in florem sui nominis), from Ovid's 'Metamorphoses', Antonio Tempesta, 1606

antonio tempesta - metamorphoses of ovid renaissance

Plate 113: The Greeks Battling the Trojans (Graecorum Troianorumque concursus), from Ovid's 'Metamorphoses', Antonio Tempesta, 1606

antonio tempesta - metamorphoses of ovid renaissance

The bonnet., 1891

nypl the miriam and ira d. wallach division of art, prints and photographs: print collection samuel putnam avery collection

Landscape with ruins, architecture and figures, Plate 6, Frans Geffels, between 1659 and 1671

landscape with ruins, architecture and figures by frans geffels baroque

Eagle with Galaxy of Polish Kings., Matthäus Merian, circa 1625

engravings by matthäus merian baroque

Self-Portrait, 13th plate, Alphonse Legros, 1906

prints in the national gallery of art (washington, d.c.)realism

The mandolin player., 1889

nypl the miriam and ira d. wallach division of art, prints and photographs: print collection samuel putnam avery collection

Plate 6: Zephir carrying off Psyche to an enchanted palace, from 'The Fable of Psyche', Master of the Die, 1530–60

prints by master of the die prints by antonio salamanca

Stående model set forfra, Henry Nielsen, 1934

prints by henry nielsen (painter) in the statens museum for kunst brush lithography on zinc plate

Landscape with ruins, architecture and figures, Plate 4, Frans Geffels, between 1659 and 1671

landscape with ruins, architecture and figures by frans geffels baroque

Landscape with ruins, architecture and figures, Plate 7, Frans Geffels, between 1659 and 1671

landscape with ruins, architecture and figures by frans geffels baroque

Plate 13: buffalo lying down, from 'Various animals' (Diversi animali), Stefano della Bella, circa 1641

prints by stefano della bella in the metropolitan museum of art baroque

Self-Portrait, 3rd plate, Alphonse Legros, 1880

prints in the national gallery of art (washington, d.c.)realism

Self-Portrait, 3rd plate, Alphonse Legros, 1880

prints in the national gallery of art (washington, d.c.)realism

Milkmaid of Boulogne, 3rd plate (Laitiere a Boulogne), Alphonse Legros

prints in the national gallery of art (washington, d.c.)realism

Print, satirical print, William Hogarth, 1747

prints by william hogarth in the british museum realism

Bearded Man in Soldier's Cap (from Sketches on the Coast Survey Plate), James McNeill Whistler, 1854–55

etchings by james mcneill whistler aestheticism

Plate 6: A young man embracing a girl; from Icones ad vivum expressae after Giovanni Battista Piazzetta, Giovanni Cattini, 1743

prints in the metropolitan museum of art giovanni cattini

John Griffiths by Samuel Cousins, after George Frederic Watts, 1854

academic art,symbolism 1806 births

Woods in Winter Sun, 1st plate, Alphonse Legros

prints in the national gallery of art (washington, d.c.)realism

Plate 3: Boy with a hat touching the face of a girl; from Icones ad vivum expressae after Giovanni Battista Piazzetta, Giovanni Cattini, 1743

prints in the metropolitan museum of art giovanni cattini

Plate 10: Old woman with a rosary and a boy counting coins; from Icones ad vivum expressae after Giovanni Battista Piazzetta, Giovanni Cattini, 1743

prints in the metropolitan museum of art giovanni cattini

Scotia Depicta - Register Office [Plate], John Claude Nattes, 1804

edinburgh castle from princes street scotia depicta

View of Belle Vue and Pont de Seve taken from the Terrace near Pont de St. Cloud 1802; Plate 13 Views in Paris, the Emanuel Volume tracing of the plate B1981.25.2622, Frederick Christian Lewis, 1802

etchings in the yale center for british art frederick christian lewis

Le Carceri d'Invenzione, plate V: The Lion Bas-Reliefs, Giovanni Battista Piranesi, 1761

le carceri d'invenzione (second edition, 1761)neoclassicism

Scotia Depicta - View on the River Divie [Plate], John Claude Nattes, 1804

scotia depicta moray

Landscape with Sail Boats [bottom plate], Augustin Hirschvogel, 1546

etchings in the national gallery of art (washington, d.c.)german renaissance

Scotia Depicta - Saint Bernards Well [Plate], John Claude Nattes, 1804

buildings in edinburgh scotia depicta

Peleo and Talamone - *Le Manifique Carousel*, Grand Duke’s Marriage, Plate 7, Remigio Cantagallina, 1664

prints in the metropolitan museum of art telamon

Fashion Plate (A Walking Dress, or Carriage Costume), Rudolph Ackermann, February 1811

fashion plates in the los angeles county museum of art fashion in 1811

The First Book of Urizen, Plate 3 (Bentley 22), William Blake, 1794

the book of urizen - bentley 22 romanticism,fairy painting

prints by stefano della bella in the metropolitan museum of art baroque

Book Plate, William Baillie

prints in the aberdeen archives, gallery and museums collection william baillie (engraver)

Coursing, Plate 4, Samuel Howitt, 1812

etchings in the yale center for british art samuel howitt

Coursing, Plate 3, Samuel Howitt, 1812

etchings in the yale center for british art samuel howitt

Deer (Les Cerfs), Charles-François Daubigny, 1862

les cerfs, cliché-verre by charles-françois daubigny barbizon school

Coursing, Plate 2, Samuel Howitt, 1812

etchings in the yale center for british art samuel howitt

Dutch School, Plate 2, Samuel William Reynolds, 1825

etchings in the yale center for british art samuel william reynolds

Coursing, Plate 1, Samuel Howitt, 1812

etchings in the yale center for british art samuel howitt

Self-portrait, Charles Verlat, 1882

prints by charles verlat realism

Print, Salvator Rosa, 1662

prints in the british museum baroque

Two pheasants and a dog, Charles Verlat, circa 1882

prints by charles verlat realism

The Invasion, Plate II, England, William Hogarth, 1833

etchings in the yale center for british art realism

The Invasion, Plate II, England, William Hogarth, 1833

etchings in the yale center for british art realism

The Invasion, Plate II, England, William Hogarth, 1768

etchings in the yale center for british art realism

Lesser Sulphur-crested Cockatoo (Plate 4), Edward Lear, 1832

lithograph prints in the yale center for british art bird illustrations by edward lear

Kensington Gardens, no. 1 (small plate), Francis Seymour Haden, 1859

drypoint prints in the yale center for british art francis seymour haden

Kensington Gardens, no. 2 (large plate), Francis Seymour Haden, 1860

drypoint prints in the yale center for british art francis seymour haden

Kensington Gardens, no. 2 (large plate), Francis Seymour Haden, 1860

drypoint prints in the yale center for british art francis seymour haden

Solway Moss (Liber Studiorum, part XI, plate 52), Thomas Goff Lupton, 1 January 1816

engravings after joseph mallord william turner rogers fund

Fashion Plate (Evening Dress), Rudolph Ackermann, November 1816

fashion plates in the los angeles county museum of art ackermann's repository of arts - fashion plates

Death and the Woodcutter, 3rd plate (La mort et le bucheron), Alphonse Legros

etchings in the national gallery of art (washington, d.c.)realism

Entry of M. de Couvonge and M. de Chalabre [extra plate], Jacques Callot, 1627

prints by jacques callot in the national gallery of art etching print

The Road to Emmaus (first plate), Jean-Louis Forain, 1902/1907

etchings in the national gallery of art (washington, d.c.)prints by jean-louis forain

The Adulteress (third plate, Jean-Louis Forain, 1910

prints in the national gallery of art (washington, d.c.)prints by jean-louis forain

The Road to Emmaus (second plate), Jean-Louis Forain, 1902/1907

etchings in the national gallery of art (washington, d.c.)prints by jean-louis forain

Lourdes, the Paralytic (second plate), Jean-Louis Forain, 1912/1913

etchings in the national gallery of art (washington, d.c.)prints by jean-louis forain

Entry of M. de Couvonge and M. de Chalabre [extra plate], Jacques Callot, 1627

prints by jacques callot in the national gallery of art etching print

Plate VI, Human Body, Frontal View, George Stubbs, 1804

stipple engravings in the yale center for british art romanticism

A Young Mother at the Entrance to a Wood, Jean-Baptiste Camille Corot, 1856

realism,barbizon school genre cliché-verre

Print, Plate IV, vol. II of "Le Antichita Romane", 1756, Giovanni Battista Piranesi

etchings by giovanni battista piranesi neoclassicism

Plate VII, Human Body, Lateral View, George Stubbs, 1804

stipple engravings in the yale center for british art romanticism

Plate VIII: representing the Brown Linen Market at Banbridge, in the County of Downe, The Weavers holding up their Pieces of Linen to View, the Bleachers elevated on Forms examining its Quality, William Hincks, 1791

stipple engravings in the yale center for british art william hincks

Plate X: Perspective View of a Bleach Green taken in the County of Downe, Shewing the methods of Wet & Dry Bleaching, and the outside View of a Bleach Mill, on the most approved construction, William Hincks, 1791

stipple engravings in the yale center for british art william hincks

A view of Ouscottah, from an Eadgah, James Hunter, 1804

british library asia, pacific and africa collections picturesque scenery in the kingdom of mysore

Songs of Innocence and of Experience: The Little Girl Found (second plate), William Blake, circa 1825

songs of innocence and experience - copy y romanticism,fairy painting

Luchon (View taken from the edge of the lake), Pierre Gorse

parc des quinconces (bagnères-de-luchon)bagnères-de-luchon in art

Plate VIII, Human Body, Posterior View, George Stubbs, 1804

engravings in the yale center for british art romanticism

Songs of Innocence and of Experience: Little Black Boy (second plate), William Blake, circa 1825

songs of innocence and experience - copy y romanticism,fairy painting

Fashion Plate (Evening Mourning Dress), Rudolph Ackermann, December 1810

mourning women in art fashion in 1810

Plate X, Fowl Body, Lateral View, George Stubbs, 1804

engravings in the yale center for british art romanticism

Plate 68: Hercules and Cerberus (Cerberum domat Hercules), from Ovid's 'Metamorphoses', Antonio Tempesta, 1606

antonio tempesta - metamorphoses of ovid renaissance

Consequences of a Successful French Invasion, No. I, Plate 2nd, We explain de Rights of Man to de Noblesse, James Gillray, 1798

etchings in the yale center for british art james gillray

Consequences of a Successful French Invasion, No. III, Plate 2nd, We teach de English Republicans to work, James Gillray, 1798

etchings in the yale center for british art james gillray

Print, Grotesque Panel, plate 7, ca. 1647, Michel Dorigny, circa 1647

michel dorigny classicism

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